DCC2009 Water Paldi: Ice, Steam & Drops

Ice (Frozen) – Steam (Hot) – Drop (Wet) : Many forms of water to joggle the imagination

Prof M P Ranjan

The theme for DCC 2009 continues to be Water even though the precipitation has improved in the delayed stage of the monsoon in India but the damage has been done and many farmers and village inhabitants have lost their means of livelihood and they feel the crunch when the dry spell continues beyond a point of no return.

Image01: DCC2009 BlackBoard at the opening session at Paldi for the fourth batch of PG students from Ceramic Design, Furniture Design, Graphic Design and Film and Video Communications. Thye brainstorming session and participative exploration of the question of “What is Design?” resulted in a large list of words that students brought up during the session.

The session itself was lively and many of the words were accompanied by a brief explanation and with some examples that could clarify the context in which these words were being offered during the class discussion of the subject of understanding design as we know it today. We lost one day in this two week course since the opening Monday was a public holiday due to ID celebrations. However we felt that we could still forge forward and in the evening the students were asked to form three groups and try and categorise these words into a coherent structure that would make sense to themselves as well as to all of us.

Image02: Three models were created by the three groups (as yet unnamed and identified only as Group 1, 2 and 3) and they presented the structure that they had evolved overnight through group sessions and the three groups had different models to offer.

Group 1 had chosen the Newtonian colour wheel to try and arrange the words and they had a dramatic presentation with the colour wheel that was mounted on the ceiling fan!! And at the end they turned on the fan and we saw WHITE!!, at least in the centre…. The Group 2 used the NID symbol as their metaphor and for some reason they added a lot of gears in the diagrams and many of these did not fit each other, but their logic was impeccable and based on their dialogues that led them to describe the stages of design as – Need, Imagination & Decisions – NID and to add to the image they had a base that stood for Context and an outside gear (which did not fit) but stood for Change. Group 3 had a flow chart that was logical and echoed Prof Bruce Archers model of the design process and these transported us back to the early 60s and the mid 70’s when the design methods movement was taking shape with the thought leaders – Archer, Jones and Alexander – gave us interesting views of design as they had gleaned during their research and deliberations in the early days of design methods.

At the end of the presentations we drew lots to decide which of these groups would have the themes assigned for this batch (DCC2009 PG Paldi B4), namely – Ice, Steam and Drops – the sub-themes under water that they have to investigate through a process of sense making and understanding development. The process includes articulating what the group already knows about the theme, based on their three types of memory that have been built over a lifetime of experience. Direct experiences, Related experiences and Imagined experiences. Sensory knowledge, Knowledge acquired from others and from sources and the fantasies from their own imagination and dreams of the past. Tomorrow we will see the first stage presentations of all three groups and I look forward to it.

Prof M P Ranjan

DCC2009: Water in our lives

DCC2009: Water in our lives

Prof. M P Ranjan

The year has started and another year of courses with new students from several PG design disciplines come to this course at NID. The first batch consists of four disciplines on the Paldi campus of NID and these include Product Design, Textile Design, Transportation and Automobile Design and Animation Film Design. The theme for this year is Water. Various facets of water in our lives are to be explored by these students and for the first Paldi batch we have three sub-themes that are listed below.

1. Water: Storage and Delivery
2. Water: Festivals and Sport
3. Water: Awareness of Issues and Methods

Image01: Blackboard with the preliminary discussions on What is Design? Using words offered by the students as part of the class discussion.

The black board shows the early discussions in the class when we tried to assess the current level of knowledge about design amongst the students of the batch and as the dialogue progressed the board filled up with the words that were used by the students to try and share their own notion of design and what they thought it is. Rashmi, Shashank and Ranjan were involved in these discussions by reacting and adding their own dimensions. We asked the students to think deeply about themselves and their lives to try and see when they discovered the idea of design and found it may be a career for each one of them. The discussions led to both sharing as well as an introspective journey that would continue for some time particularly for the students to discover themselves and find out a bit more about their own beliefs and positions in relation to a variety of human subjects, many of which are intangible and not usually a subject of either active analysis or discourse. What do you really believe and what would you do in a particularly difficult situation?

Image02: Group formation and bonding of groups in three sub-groups before the commencement of the formal brainstorming and structure building sessions that follow.

The action to these situations may reveal our deep seated fears and convictions which we may not be aware of at the surface of our consciousness and this would influence all the design decisions that we were to make in our careers ahead, therefore it would be useful to know, if it is at all possible to know all of it, which may not be possible till we are actually confronted with a particular opportunity or situation that would test this belief in some deep way. Ranjan used his slides as well as pages from the internet to share ideas about design and to introduce some of the key thinkers of the day along with their current ideas about design.

Image03: Books discussed this year in class. The students are also primed on the other resources that are available in digital format and on the internet and appropriate links are shown and provided in this session.

The scholars discussed included Dr Harold Nelson and John Heskett for their books “The Design Way” and “Toothpicks and Logos” respectively. Hesket’s book has been released again as a low cost edition in India under a new title called “Design: A very brief introduction” that is available from many book stores as well as online. Also discussed were the new books by Bryan Lawson with Kees Dorst called “Design Expertise” and another book by Dorst called “Understanding Design” and the teachers shared the long list of 175 attributes of design that is included in the contents of the book for students to look up as a direction finder for their own search for understanding of “What is design?”

We have asked the students to reflect on the question once again quite deeply and get back to the teachers with an email response to the question and this could open up the platform for any further dialogue on the new subject. Our finding from the various responses by the students while the black board was being filled up with words associated with design thinking and action was that they individually knew very little and even that knowledge lacked any conviction. So far three students have submitted their email response and we are sure the others will muster courage to make their offerings as the week progresses and they feel up to steam on the discourse on a subject as complex as design

Image04: Class presentations and group discussions in thumbnail views. The class is held in a large studio with flexible furniture arrangements possible with a lot of softboards available for the posters and visual material for the presentations.

We introduced the course by sharing a slide presentation that was made for the EAD06 conference in Bremen, which was a description of this course that was made for the first time by Ranjan since the course was formulated and conducted at NID over the past fifteen or twenty years. This course has indeed evolved from its origins in the “Design Methods” and “Design Process” beginnings in the early 70’s at NID and the name change to “Design Concepts and Concerns” occurred in the late 90’s and from a scientific and environment focus of the 70’s and 80’s the shift that we made to “Concerns” brought an element of relevance and ideology into the core consideration at the centre of this course offering. This is why we started looking at meta themes and we did shift away from micro problems and in the process removed the kindergarden from the basic design course at NID while keeping the quality of flexibility and the non-prescriptive nature of assignments that design education demands. Another major shift was the design assignments being handled by a team rather than being assigned to individual with the specific intention of encouraging team processes and attitude forming that could support such demands top deal with the typical conflicts that design tasks abound.

Image05: The theme and sub-themes of "Water" with a description of the process of discovery by the group to set the assignment rolling.

The structure of the assignments is therefore collaborative and graded through the following intentional stages.
1. Understanding oneself and ones beliefs through deep thought and articulation of the self.
2. Group processes in exploring a meta theme and discovering what one already knew about the topic so that it could be used as a platform for design action.
3. Outward exploration to fill in the gaps in ones knowledge by meeting and connecting with experts and with resources that are available both published and in the environment.
4. Understanding the processes of categorization and modeling leading to the building of external models to share and discuss ones deep understanding of the meat theme in question and to be able to see a structure that could depict the current understanding of the subject which is open to change through the arrival of new insights and new knowledge.
5. Sensing and discovering design opportunities that are worth doing and elaborating all the latent opportunities through a process of visualisation and discourse.
6. Building deep convictions about possible opportunities through a process of visual exploration and sharing with colleagues, while at the same time it is a process of learning to think and learning to act in design with a future focus on potential and optimistic outcomes.

To discuss this and other aspects of becoming a designer Ranjan talked about the “Design Journey” using the model and a copy of the paper that describes the various modes of thought that the designer had to use and this brought us to the first assignment and the forming of three teams with tasks as listed above. The presentation is expected on Thursday morning and each group woud be given one hour to make their presentation having explored the sub-theme fully through the process of brainstorming and categorization followed by forming structure and giving form in the shape of a suitable metaphor for durable recognition of the theme and its organization that would be reflected in the structure. The students have now started working on the task of finding structure and form of their sub-theme areas through the process that we described above. The group work is intensive through ice-breaking conversations, brainstorming and collaboration, categorization and arguments, finding structure and agreement with some compromises and last of all finding form through a shared metaphor that could show the level of understanding the the group has arrived at through this active process, a real learning by doing. We look forward to the presentations and the deep learning that can be used for future design projects as well.

Prof. M P Ranjan

Sustainability: Models for Critical Sectors in India

Sustainability: Models for Critical Sectors in India – Roti, Kapada, Makaan, Bijlee & Rojgaar – Food, Clothing, Infrastructure, Energy and Occupations.

Students of the Design Concepts and Concrens (DCC2009 Foundation) class explored the assigned areas and sectors and this time they went out of the campus in search of multiple perspectives and meetings with people and experts who could give them insights that they did not have when they had explored it on their own during the first brainstorming session. The difference between the first round of exploration and model building and this second round revealed ways of filling areas of ignorance with fresh perspectives and new information from the field. The models showed these new insights and all groups were able to identify and expound on a number of important categories that would be critical for the understanding of the sector that they had been working on. These insights were shared with the whole class with each tram making fairly detailed presentations and the discussions gave further insights as well as several approaches to take these forward from here towards the next assignment dealing with exploring design opportunities and in visualising these for sharing with colleagues and the class as a whole. The images below show each tem with their second stage model that maps out their current understanding of the sector that they were assigned.

Prof. M P Ranjan

Image 01: Composite view of the Roti team (Food) with their model of Food in the Indian Economy and the supply chain that would need to be addressed with design imagination for a sustainable future.

Image 02: Composite view of the Kapada team (Clothing) exploring areas of concern and opportunity to bring sustainable practices and ideas to the sector as a whole. A case study of water in some common T-Shirts was brought to the attention of the class.

Image 03: The Makaan group (Infrastructure & Housing) had a limited view of their field and they explored sustainability issues in housing and shared these with the class.

Image 04: The Bijlee group (Energy) had discoverd many categories of potential action and showed these as parts of a large jig-saw puzzle that formed the strategy for their model.

Image 05: The Rojgaar group (Employment and Occupations) had an elaborate spiders web to explain their understanding of the complex interplay of possibilities and threats in a world that was passing through a financial meltdown.

Prof. M P Ranjan

Food across Communities: Macro Micro investigations in DCC

DCC2008 Paldi Group 2: PG Disciplines at NID: Graphic Design, Film & Video Communication, Furniture Design and Ceramic Design: Assignment one: Mapping the known universe of Food: Producers, Converters & Consumers.

M P Ranjan

Image 1: The Producer Group with their model of the production pyramid and the variety of food types at the circular base.

The last batch of students who are taking the Design Concepts and Concerns course here at Paldi campus of NID were asked to look at the theme of Food at the Macro level of exploration in three groups, each looking at three stages through which food travels from the land to our plates, from the point of Production, Conversion and then Consumption. This kind of Meta investigation is encouraged in all design journeys since it is a good point of departure for any design task to take stock of what we know of a particular subject or a theme that is being addressed and to try and map this territory as clearly as possible before embarking on a further journey of research and experimentation to discover what we do not already know. As a group process, this kind of articulation of what we already know about the broader contours of a discipline or a particular subject is very useful to discover the depth of understanding that is present with the group members as well as get a glimpse of regions of uncertainty and in particular the areas of ignorance, which could inform the later stages of research in those specific and identified areas.

Image 2: The Producer Group making their presentation to the class.

This batch was divided into three broad groups that included, Producers, Converters and Consumers, since the focus was on Food and we were keen that the groups would explore regions that were beyond the ordinary, to include areas of agriculture, nature and food production through the Producer focus group while the broader contours of processing, trade, branding and distribution could be covered in some detail by the second group which we called the Conversion focus group. The last group looked at the whole area of Food consumption lying at the far end of the supply chain by looking at the Consumer as a category along the long path from growing to eating. Each group went through the processes of brainstorming and categorization to discover and articulate what was known to the group and from these explorations they built models that could be used for a show & tell presentation about the insights gleaned from the whole process.

Image 3: The Converter Group gathered around their Sun metaphor with the long supply chain as a literal exhibit on the floor.

This batch of students came from the disciplines of Graphic Design, Film & Video Communication, Furniture Design and Ceramic Design, all post graduate students, from a variety of disciplines which brought a good mix of variety of skills and abilities to the group processes in this course. The three groups had an equal number of students from all the participating disciplines since the process of selection ensured an even mix in the composition of each team. Three coordinators volunteered at first and they then selected one team member from a particular discipline by turn till all the members from that discipline were assigned to one of the three groups. They then moved to the next discipline and selected additional team members by taking turns and all the disciplines were covered in the end. Each group had an even mix of students from all the participating disciplines and in the end we took lots to assign the three meta themes to each of the groups thus formed to ensure that the whole process was democratic and not pre-determined by any one including the teachers.

Image 4: The Consumer Group with their “Last Supper” metaphor to capture the huge variety of conditions of food consumption across India.

The three groups wee given a day and a half to explore what they already know about the chosen and assigned theme through a process of brainstorming and categorization and the group then built a structure that was based on the discovered words using a metaphor that best captured the meaning of the joint investigation that the team had discovered during their explorations of the theme. The producer group came up with a Pyramid of concerns with the hierarchy of governance flowing down to the roots in the variety of agricultural products on one side and dairy and poultry products and fisheries on the other two sides of the triangular pyramid. The circular base was strewn with images of all kinds of food alongside words that the team had gleaned during their intense explorations of the day before. The second group on the other hand made a sun like image that radiated from a soft centre in rings of growing magnitude before breaking out into rays that extended around the circle, each touching upon a key issue that the group had identified as being important for their analysis of the Converters in the chain of the supply of food in India and across the world. The chain was represented by a set of large paper links that formed a “Chain” along the ground from the sun to a remote location across the room. The third group used the metaphor of a complex dining table, almost a last supper, in their representation of various categories of eventual consumers, from the poor and the hungry to the rich and the affluent, each located at opposite ends of the table. The installation was set on the ground and words were literally sprinkled on the floor in meaningful groups and paper plates with images of food and chairs that expressed the status of the consumer by their form were the highlights of this particular display. The representation achieved by this group was quite stunning in effect as well as in structure.

M P Ranjan

Incubating Design Opportunities: DCC2008 Paldi 01

… Design Concepts & Concerns…

Incubating Design Opportunities: Food, Inflation and the Economy: DCC2008 Paldi 01

Image: West Bengal team with their huge Sun icon and the design opportunity thumbnail images distributed along the categories identified by the Solar flares, each named in an appropriate manner.

After trailing all the other groups and getting sharp critiques from their peers in the first two assignments the WB team has come back strongly to make a clear statement showing a huge leap forward in their understanding as well as their articulation of all the design opportunities identified and sketched by the group members. The model and the visual presentation was very powerful indeed.

Image: Goa team with their radial model surrounded by all the thumbnail sketches of the design opportunities shown as a horizontal display with the viewers traveling around the model to look at it closely.

Goa team continued their effective radial model and they offered a modified structure and this time to accommodate the categories that they have identified for their numerous design opportunities for the theme of Food, Economy and Inflation with reference to their chosen region, Goa.

Image: Rajasthan team in front of their display of design opportunity maps that have been broadly categorized into areas of concern and value.

Rajasthan team used the broad categories of Ecology, Awareness, Culture and Economy to arrange all the design opportunities that the team members had articulated during the thumbnail brainstorming and exploration phase. They are seen holding their individual scenarios based on an agreed selection arrived at through peer review within the team.

Image: Uttarakhand team in front of their display of design opportunity thumbnails in the NID Foyer and they hold in their hand their individual scenario visualizations.

Rajasthan team had an interesting categorization of all the design opportunities that the team members had imagined and articulated. These were divided into broad categories through a process of sorting and categorization and they used the categories of Education, Food Preservation, Community Development, Industry, Water (Mineral), Transport and also a special category for Policy and Legislation that was also proposed.


Image: Detail of Goa model and design opportunity thumbnail sketches

… Design Concepts & Concerns…

Design Opportunities Presentation: Water, Sun, Hills and Desert

…>…Design Concepts & Concerns…

Design Opportunities Presentation: Water (Goa), Sun (West Bengal), Hills (Uttarakhand) and Desert (Rajasthan)

Image: Goa group took their radial model and modified it to accommodate all their design opportunity thumbnail sketches along the various categories identified by the group (Right) and the West Bengal group used the Sun as a metaphor to map out the various categories in which they arranged all their design opportunity thiumbnail sketches (Left).

The four groups dealing with the theme of Food in the four selected regions of India made their group presentations in the NID Foyer yesterday. Goa, West Bengal, Uttarakhand and Rajasthan were the areas of focus for this batch of DCC2008 which just concluded at Paldi and this gives us the platform to reflect on their offering during this course. Just as the Gandhinagar students had explored four other states of India these students gave us a glimpse of their imagimation for the issues and opportunities that they saw after their journey through the various stages of this course that included the exploration of the theme leading up to the development of design opportunity maps and then onto individual scenarios for one idea that they felt needed their full attention.

Image: The celebration at the end of the course with students and faculty bunched around the Goa model that was displayed on a group tables moved in from other rooms near the Foyer, impromptu but instantly effective.

The groups gathered at the Foyer at NID Paldi and each put up their design opportunity maps for all to see. The sky was overcast and the sun was almost gone but fortunately the lights in the foyer were discovered and this gave a renewed life to the presentations and we were able to photograph all the submissions and also record the individual scenarios which will be shared in another post after the groups have been discussed in some detail.

…>…Design Concepts & Concerns…

Rajasthan: Song, Drama, Theatre and Games as Metaphor

Design Concepts & Concerns

Image: Team Rajasthan with their Board Game as metaphor and their Puppet Theatre to drive the point home.

The Rajasthan group used all the devices in the book to make their presentation. Starting with a song and a puppet show they told a story of a Princess and her new fangled ideas for bringing prosperity to a dry land. However the plans go dry and some problems emerge needing the attention of the King and his consort as the story unfolds. Their understanding of the complex interplay of various factors come out clearly in their first blast of theatre and drama to make their point.

Image: The Rajasthan team used a digital presentation to share their detailed structure for Food and the various categories of influencing factors, very detailed but long winded.

A very detailed structure gave the team a fairly deep understanding of the factors but since they used a digital medium that was linear in the mode of viewing the audience could not quite keep all the factors in their mind. This led to the discussion of George A Miller and his concept of the number seven and the limits of the mind memory span. This gave the class a view of an alternate platform that could be used and they could examine the pro’s and con’s of the various methods used by all the teams.

Image: Multiple views of the Rajasthan groups presentation using various methods to share their exploration of the theme and share their findings and insights with the class.

This group had the benefit of all the other presentations since they came last in the sequence but not to take away from the offering from the group the class appreciated the rich show and tell that they used.

Design Concepts & Concerns

West Bengal : Boat Fish and Fish Boat as Metaphor

Design Concepts & Concerns

Image: West Bengal team members with their Fish-Boat or Boat-Fish model.

The West Bengal group bounced back and surged foreward after the drubbing that they got in the first round of building models. What they missed out everyone else got to learn from, “fail early to succeed sooner”, as the slogan from the IDEO group says.

Image: Team members explaining the various parts of their model of Food in the context of West Bengal using their metaphor as an aid.

They chose to make a three dimensional model and the disadvantage was that it had more that one side and they had to work twice as hard to mark both sides of their Fish-Boat or should I say Boat-Fish metaphor to capture their understanding of the West Bengal food scenario as they had understood it after their meetings with their experts.

Image: Multiple views from the group presentation and the discussions that followed from the West Bengal team show.

The team however still did not have the deep understanding that a coherent structure would have provided them and the critique was sharp and the discussions quite revealing. The effort of making the huge model was however appreciated by all the particpants. However the consensus in the end was that the group missed out on using the richness of the model fully since the categories were quite macro and the finer aspects were not integrated into the final model but kept on the various external elements still to be brought into a central area.

Design Concepts & Concerns

Goa Group: Fish, Boats and Beach as Metaphor

Image: Goa group with their massive model and metaphor representation with the Fisherman in the foreground and the Goa Tourist map and persona in the background.

While the Goa group had very rich palette of images to support their presentation it was their structure that was truly memorable. Using a radial structure they built their structure about Food, Inflation and the Economy with the Meta factors around the circle and the process questions along the radial axis. This gave them the possibility of using the rings to represent the various parts of their structure in a very interesting manner.

Image: Radial model of the rich structure by the Goa group with the Fish, Boats and Beach Metaphor with the Fisherman in the foreground.

The structure model was further strengthened by the use of small iconic images strewn all over the diagram that helped us locate the major ideas visually while getting an overview of the structure. The Move in understanding was huge. While the first presentation that was based on what the group already knew was skewed towards a sort of outsider view of tourist Goa the second round saw the group connecting with all the right kinds of people who can be called experts and this led to a huge shift in understanding.

Image: The Goa team making their impassioned presentation with all members taking the stand and making a pitch with a very high level of motivation.

The presentation which had all the team members participating was truly memorable and of a very high quality. In the teachers experience this is by far the best effort in many years in the PG programme at NID. I would request the students involved to make a textual note of their experience and to share this with all of us so that this experience can produce durable learning that Prof Bruce Archer had told us about when he visited NID in the early 80's to give the Sir Misha Black Award for excellence in Design Education to the then Executive Director of NID, Ashoke Chatterjee. He told us that experience by itself does not produce knowledge, but it is the reflection on experience that does create deep and durable knowledge.

This assignment is therefore a way for groups of individuals to first map out what they already think they know about any chosen subject through brainstorming and categorisation followed by rounds of modelling to find structure and finding a suitable metaphor to map the discovered structure for all to see and understand. The next assignment has the students sharing their understanding with real experts and through research and the process of modelling, finding structure and making a metaphor so that the findings can be shared in a coherent manner. This process also has the effect of clarifying the concepts in ones own mind as well as in locating insights that would drive the process of opportunity mapping and decision making as the design process goes forward.

The other two groups too have completed their second round which will be reported here later in the day. We need to meet today to review all the MeBoards, perhaps in the SDM studio and the final opportunity maps as well as the individual secnarios will be exhibited in the NID Foyer on Tuesday the 12th August 2008 at 5.30 pm IST. We have booked the Foyer space through the NID Academin Administration and we look forward to a live participation from faculty, students and invited guests.

Uttarakhand Group: Mandi as Metaphor

Image: Uttarakhand Group assembled in their Mandi Metaphor for their presentation.

The Uttarakhand Group was the first to complete their model by the evening today so we decided to have their presentation while the other three groups would have theirs tomorrow morning. The team worked out a way to reuse their Himalayan Mountain range model by using it as a backdrop to locate the wild life and fauna of the region while the main exhibit was that of a Sabji Mandi or vegetable market through which they tried to explain the current level of understanding about Food and the chosen region in the context of design possibilities going forward.

Image: Uttarakhand Group assembled in their Mandi Metaphor with the teachers included.

The Mandi metaphor was however not used as effectively buy the group to make their presentation as it came out in the discussions and critique that followed the groups presentation. According to the comments from the teachers it showed a lack of an articulation or visualisation of relationships that formed the core of the concerns that the group had indeed identified and expressed as very interesting images of islands of concerns that were arranged on the backdrop. The four main headings of Production, Distribution , Consumption and Impact did offer the group an adequate framework for linking the various sub-groups and issues that were in the field of vision but the audience felt that they missed showing the linkages between all the issues covered there.

Image: Uttarakhand Group assembled in their Mandi Metaphor as the class presentation progresses.

Further the lack of detail at the next lower level of the structure was also pointed out in the arguments and comments that followed. The Mandi visual was quite effective in getting a feel of the place and the context as a whole and I used the metaphor of the Constellations to show that association of star groups were given meaning by showing the invisible lines that gave the groups its form as a visual symbol which made it memorable and recognisable in the rich ground of all the other stars. Each illustration was rich and when the team explained the model it was clear that the team had come a long way forward in their understanding of both Food as well as the context on the ground in the Uttaranchal region through their meetings with experts in the field, but the group failed to tell us who they met and how the insights were actually collected and put together in their model. In all the group efort was appreciated by the class particularly since this group was able to meet the very tight deadline and come through with a fairly high degree of effective representation and discourse.

We do look forward to some rich presentations from the other three groups in the morning tomorrow. The order of presentation will have the Goa Group making their presentation at 9.30 am and this would be followed by the other two between 10.30 and 12.30 pm tomorrow. The afternoon session is for the next lecture on Design Opportunities after which the groups will start work on their next assignments dealing with Design Opportunities in the area using the formats that have been developed for this purpose.

Reflections on DCC2008: Priyadarshinee Mohapatra

Image: Model of the Design Process proposed by Priyadarshinee Mohapatra and sent to me by email along with a description of the model that is quoted below.

Design is complex and challenging, as it involves both analytic and creative solution to a problem. Designing a product, not only requires a designer, but also needs the understanding of human experience on it. It's a task involving not only the designer but also the target users for whom it's designed. For any design solution it's important to follow the design process which is an iterative process. Design concepts and concerns-2008 by MP Ranjan has taught the "design process" in a very effective and planned manner. It's a wonderful experience to be part of this programme. It has a clear path/process from "recollecting the known" to "discover the unknown" and finally "creating design opportunity" while solving the problems in a given context.

What you already know:

In the first level, it's basically "recollecting the data already exist in your mind". It's self exploration phase. So the information is collected from every individual based on "self knowledge" and "on what he/she believes in". It's followed by group brain storming to make it more precise and determine the information architecture, structuring and reflecting the same on a visual metaphor. A visual metaphor gives a complete overview of the context. A strong visual metaphor is self explanatory.

Initially, though the group had less information, eventually the information was created by self exploration and group brain storming. Truly said by Ranjan "You never know what you know and you can challenge any modern age computer".

Discover the unknown through research:

The next level, we had to "discover the unknown" through research and field study. During this phase we were exposed to real world to know and find out information. Finally, we incorporated all the information on structure and metaphor. The collected insights give a complete idea about the real world problem. It helped us to create personas and to understand the common man's mental model about the context. From insights, one could make out "What is already there?"and "what could be done?"

Creating design opportunity:

Finally design opportunities created by analysing the observations and insights from field research in the given context while solving the problems. The issues were pointed out in a group brain storming. From various ideas, every individual has to take one idea or design opportunity and give a detailed solution to the real world problem. The solution has to be presented visually to make it self-explanatory.
I worked in Gujarat group. My learning through the whole process was a lot .It was not limited to my own group only, I also learnt a lot from other groups as well.

Thanks & Regards

Priyadarshinee Mohapatra
Strategic Design Management (SDM)

Late Night Edition: DCC2008 Paldi01

Image: All four groups ready with their respective models, stucture and metaphor for the theme of Food across four regions of India. Uttarakhand (top right), West Bengal (bottom right), rajasthan (bottom left) and Goa (top right).

Working with very few breaks the teams were all ready for presentation by 2.00 pm in the post lunch session, a little behind schedule, but this is acceptable since it is the first time that these groups have worked together and much learning is still to come. The results are quite encouraging and in the evening we had completed the discussions and presentations of two of these groups, Uttarakhand and Goa. We will report in some detail about these presentations in another post. However for now, the two presentations were actively participatory with a number of students coming forward to make critical and constructive statements, a good sign towards a healthy peer review culture in the days to come.

Design journey-DCC-2008-PG campus

Image: Sonal Chauhan with Prof M P Ranjan in the DCC class at Gandhinagar.

It has been a great experience being part of DCC team.
This was my very first encounter with DCC as well as Professor Ranjan , since I have joined this institute very recently.
In My college days we had no opportunity to learn this course and it was added later for the fortunate ones. Being from the so called “Design Community” I believe that design is what you think you can do to enhance life, product, feelings, experiences, dreams or aspirations .But what leads you to design outcome is your approach towards it.

I must admit DCC-2008 has added a new dimension to my design approach. Though seating on the other side of the students, I was very much a student . But it was a dual learning for me i.e. student as well as faculty trainee( a new breed of Student).It was great to learn ways to achieve design solutions.

KNOWING THE UN-KNOWN – was the first assignment where focus was on the first hand data that one would have stored in mind consciously& unconsciously. Gathering that data (Brainstorming) and using it to make model structure followed by metaphoric representation - would have been quite a task for beginners. It was a process which would lead you more and more towards identifying unique design opportunities as you clear each step (read: assignment here). I have witnessed it that students had to work extremely hard and they were enjoying to dig more and more to gather data/information. Learning was so much from the student presentations that I felt like getting in to one of the group and actually going through the experience of making of that learning.( which, I couldn’t allow myself - with some block)

ME BORD – was more to identify ,analyze and assess our own self. Again knowing the unknown in a way. It was to know one’s love, pride, fear, mental block, inhibitions, strengths, weakness, commitments, dreams, policies, nature and other interests.
What was equally important here was coming with information/ideas and making it in to visual communication .We all know the power of words but this targeting power of images.( Image power) And it is so much true, that some times you cant have enough words to explain or express and same can be done very crisply with just one image.

Having open forum to debate , discuss and express views , at the end of every presentation involves further crisscross of data, brainstorm, a new emerging approach, people’s eye view and a lot more that (may be my dictionary would limit me with).
I relished that part of it more since, I was not part of group presentations and so the rich experience they have had.

Working hard and making people work hard – is something every student must have learned from DCC and so have I( all in good spirit).As working in groups have certain advantages as well as disadvantages. And DCC module surely adds those group dynamics and leader ship qualities to the students.

I wish i was there in each of the class gathering. Myself was quite a silent observer through out the class and would vouch for the constructive feedback that came in with each presentation, from the Professor Ranjan, Harini, Ayan, or student group themselves. I am thankful to all for sharing such rich experiences . My best wishes to Gujarat, Kerala, North East, Punjab groups for their final presentation and ahead.

Late Morning Edition: DCC2008 Paldi01

Image: Work in progress with all teams rushing to meet the new deadline which has been posted at 2.00 pm.

Groups have reassembled after the break and working almost non-stop with a few hours of sleep over night. The metaphors are taking shape and the structure is being frozen by each of the groups exploring Food, Inflation and the Economy as the major theme for the brainstorming assignment.

We will assemble again at the studios after lunch and take group photographs of all team members in front of their presentation models and then move on to the review of each presentation by turn. The first group to finish and report will have the first go with the presentation. We look forward to it.

DCC2008 Paldi01: Brainstorming and Categorisation about Food

Image: Brainstorming at an early stage with varied levels of expression

The four groups have started the process of exploring what they already know about their chosen subjects, namely, Food, Inflation and the Economy with respect to the four regions that have been assigned to each of the four groups. The groups are working on the following regions as listed below:
Group 1: West Bengal
Group 2: Rajasthan
Group 3: Goa
Group 4: Uttarakhand

Image: Categorisation at an early stage with groups discussing possible approaches

As usual they all started with a fairly superficial list of words after a hour or two of discussions and when the teachers came around for the review they were all working on organizing the few words that they had listed out in the first round of articulation. This led to some discussions with each group when we stressed on the need for a greater depth in both the number of word ideas as well as the variety of concepts which would be only discovered if the lists were truly random and done in an intense session with active participation of the group. This led to a second round of brainstorming and this time a far more elaborate set of words emerged and some groups “got it” and they had a rich texture of concepts that could be seen strewn across the large page on which they did their brainstorming capture. Others still had the all dominating list-mania and found it difficult to abandon a lifelong learning of making lists in an organized manner, but this would change as the groups met each other and saw the difference in the approaches and what it did for the richness of texture and content of the brainstorming sessions.

The groups have now started caregorising the discovered words and they are using both post-it stickers as well as index cards to sort and re-group the discovered words into some meaningful categories that they could use for the development of a structure that would have a shared meaning for all members of the group. The process is always full of debates and arguments but eventually time constraints lead to some form of negotiated settlements even if these are not fully satisfactory to all participants. This makes the design process a bit like the political negotiations that take place when contentious issues are being examined in mixed groups and a deadline forces the settlement of the matter in a form of truce with some give and take from all sides.

Image: Categorisation at a fairly developed stage, more cards and several sub-groups discovered

Tomorrow the groups will be converting their found structure into a memorable metaphor that could support and enhance the reading of the subject and its content as a composite image that could aid both recognition of the core features of the categorization as well as the overarching theme of Food and the name of the region that the group is addressing. The choice of image and the use of its parts to map out the discovered structure will determine just how successful the group has been in translating the understanding from the structure to the making of a memorable image that will remain in ones mind and aid recall of all the subtle attributes and features of the explored subject, which in this case is Food, Inflation and the Economy in the context of the four chosen regions and also as an aid to look forward to setting a platform for the further work to be done to expand the groups understanding of the subject and the context in which they are located.

DCC2008 Paldi Batch01: Course commences today

Image: Four volunteer coordinators and views of the class in session at the NID Paldi Auditorium in the morning and the post lunch session.

The theme of Food, Inflation and the Economy continues into the second batch for this year with the first batch at Paldi forming their groups and commencing work on their first assignment, mapping what we already know from our life experience. The subject and theme is Food and the four groups are to look at four assigned regions of India, namely:
Group 1: West Bengal
Group 2: Rajasthan
Group 3: Goa
Group 4: Uttarakhand

The members were drawn from all the participating disciplines namely, Animation Film Design (AFD), Transportation & Automobile Design (T&AD), Product Design (PD), Textile Design (TD), RMIT Exchange Students (RMIT), and Strategic Design Management (SDM 2nd year batch). We asked four student volunteers to step forward and act as coordinators and each of these coordinators was asked to choose one member by turn from each of the disciplines so that each group was composed of students from all disciplines. Each group has 17 members including the coordinator.

The four groups will now sit together and brainstorm to discover what they already know about the subjects of Food and their chosen region with an aim of developing a meaningful structure that could aid their deeper understanding of the subject at hand. Once they have categorized the words into an agreed structure the group would develop a metaphor on which they can locate their structure before making a presentation to the whole class which is scheduled for Wednesday (day 3) at 10.30 am in the Drawing studio on the second floor at NID Paldi.

In the discussions and the lecture that preceded the group formation we were able to discuss the massive changes that have been taking place in our understanding of design, both at NID as well as across the world. I was able to touch upon some of the directions with the use of my prepared models and lectures such as Understanding Design, the IDSA lecture titled “Giving Design Back to Society: Towards a Post-mining Economy” (download here the presentation pdf 812 kb) and my EAD06 lecture titled “Creating the Unknowable: Designing the Future in Education” (download pdf file of the paper 50kb and presentation 4.1 mb here) which was a description of the DCC course as it is offered to the Foundation programme at NID and its evolution at the Institute over the years. This gave us an opportunity to discuss briefly the role of the Bauhaus and Ulm schools of design in the shaping of modern design as we know it today and how this has been further transformed at NID and through the work of design thinkers across the world. In particular we referred to the contemporary books by Klaus Krippendorff – The Semantic Turn, Harold Nelson and Eric Stolterman – The Design Way, and the early work of John Chris Jones in shaping the whole area of design theory in the 60’s and through the mid 80’s as the movement in Design Methods and Design Processes. We used the Wikipedia entries on the subject by a quick web search using Google, very convenient indeed. I hope the students take the keywords discussed in class and connect with the larger history of design through their research on the web in the days ahead.

Reflections on DCC2008: Neeta Khanuja

Image: Reflecting on the assignments and lectures during the DCC course Neeta Khanuja has proposed this model of her understanding of the Design Process. Her description of the diagram is quoted below from her email message sent last night.

Exploring and being present to Reality:
Designing is something that cannot be done in isolation. As said by Ranjan in one of his lectures: Difference between a designer and an artist is that an artist works in isolation and comes up with a creation that is an expression of his inner self but a designer is the one who explores the real world and with his creative aspect comes up with an output that works as a solution to the real world problem. So exploring the real facts and knowing the present scenario initiates a designing process and is crucial in itself. This exploration can be done by observing and experiencing the real world. Talking in context of our DCC assignment that was food and inflation in Punjab, brainstorming, interacting with real world and getting insights made us present to the current scenario in Punjab.

Identifying problems and visualizing futristic possibilities:
On being present to the real scenario next step a designer is supposed to take is to figure out the reason for his research. This reason may be a problem that he tends to solve or it may be an urge to create something which is not there but has a potential to exist and which can have a positive impact on the current scenario. In our assignment in this step we identified current problems and futuristic possiblities related to food in punjab with a vision that 'Current problems and possiblities will lead to future opportunities'.

Following a procedural approach:
There is a specific process that is to be followed when it comes to designing. No solution can be designed out of the blue without the presence of a supporting
process. The process that we followed for our assignment consisted of three steps:
Brainstorming,
Making a structure,
Metaphor representation.
It is not a matter of concern that how many times a process is repeated but the point that matters is that the process is whole and complete within itself so every time it is done all the three steps should be followed.

Finding solution and visualizing opportunities for figured possibilities:
This is the step when creative aspect works at an optimum level. The output of this step is in the form of Design Opportunities. Design Opportunities can be looked upon
as fruit of the whole process. In context of our DCC assignment this step in itself consisted of two steps. First is figuring out design opportunities in a group. This will be the sum of all the ideas of group members. Second step consists of taking a design opportunity that inspires us as an individual, exploring all its aspects and coming up with a detailed scenario.

Giving a visual representation to the reached output :
As said by Ranjan: Visual Representation of one's concept is the skill that a designer should always possess. In our assignment we will end up in visually representing the design opportunity we picked up in a way that the concept gets conveyed to others with all the details and insights that we have for it.

With Regards,

Neeta Khanuja
NMD 2008-09

Information from the Field: Presentations by Groups

Information from the Field: Meeting Experts in the Field

Punjab

The Punjab group occupied the NID Gandhinagar Auditorium as their presentation space and transformed it into a truckers paradise with a mandi ( a market) and a dhaba (a roadside eatery usually on the highway) on the side of a highway with the front of a truck at one end and the back of another at the other wall, both connected by a line of trucks marked on the ground, each representing a particular aspect of the theme, Food and Punjab economy. The group had earlier done their brainstorming to articulate what they know about the subject as a group and they had built a model and transformed it into a metaphor that could capture the essence of what they had discovered that they know. Based on this model they developed a research strategy to search for ‘experts in the field” who were accessible near Ahmedabad and Gandhinagar or those who could be reached in the brief time available by phone or through the web so that they could fill in gaps in their understanding of the context as well as obtain insights that they could use in the next phase of their design journey which would deal with the identification of design opportunities in their chosen space. The larger than life image of the truck front was anthropomorphized with the turban of a Sardarji, the Sikh driver who would represent Punjabi persona for the rest of India. The back of the receding truck at the other end of the room had panels that helped categorise the key issues that the groups had discovered and prioritized after their meetings with the experts, people from local dhaba, Gurudwaras and from Punjabi households near their school.

While the team efforts at visualization was highly appreciated by the per group reviews the presentation had the feel of a White Paper used by Planners. Here the critique focused on the depth of macro- issues that the group had brought to clear focus but what was missed was the texture and feel of the micro aspects dealing with food from Punjab, the taste the content and the opportunities that these represented for design action in the future.

Kerala

The Kerala group persisted with their Boat House image for their second presentation and on the wall of the house-boat they had a structure mapping the various relationships that they had discovered during their engagement in the field with numerous Malayalees living and working in Gandhinagar. These people from Kerala had an association of about 1500 people mostly working in the Government of Gujarat and some who acted as service providers retailers and provisioners for the community from Kerala to meet their special needs. The structure was far improved version of the one they had presented in the first phase but still lacked the particular details that were so critical for design understanding. The group did attempt to make a list of design opportunities but the cloud and birds in the sky in one corner of their model was not enough to capture the richness that lived in their minds but was however not visible to the others outside the group. The group did develop a good deal of discussion with their presentation and it was becoming evident that the whole class was getting clued in on the finer aspects of design discourse since there were lesser questions for clarification and more incisive comments on the subject and content of the presentation from the class participants.

The impressive image was indeed huge in scale and the bananas and coconuts used in the diagram did capture the feel of Kerala from a distance but the finer aspects still eluded the group in their representation although the descriptions made by individual members did show a much deeper understanding in their minds but this did not show up on the image. This was pointed out to them as a missed opportunity in the attempt to show and tell. Words alone may not be as expressive as those supported by image scenarios that could deal with the form along with the structure while the story unfolds as the presentation progresses.

Northeast

The Northeast group also took the first tentative steps of building a terrace cultivation model in the first presentation to a more expressive model of the terraces using a three dimensional construct to represent the fields on the hilly landscape and with a backdrop of hills to represent the potential and the findings from their foray into the field to meet experts. The group had visited several local institutes in search of people from the Northeast and through this they did connect with some new and interesting insights about food and the local economy. However the approach did not help the group visualize the finer aspects of their findings since the model did not have any images dealing with the words that they had used as sign boards that were stuck onto each layer of the terraced fields in their model. Like the Kerala group they too had succeeded in making a well categorized structure of their findings with each zone in their model dealing with one major category but the visualization opportunity was however missed. Further as the team members made their presentation each of them would read out from a list in hand and they did not use the model as a prop for their show and tell which made the presentation less memorable for the audience since although we had a huge model in front of us the group did not use it to make their presenation. However such failure was useful for the teachers to make the critique which is good learning for all the class.

The group did emphasise the huge cultural diversity of the region and the diversity of food types and the range of tribes of the region, which represented a great opportunity for exotic offerings from the region as a whole. This group had an area that was less known about and with fewer experts to be found at short notice and they however had to do a lot of imagination to fill in the gaps in information from the field.

Gujarat

The Gujarat group was the most fortunate on the one hand since they were immersed in the region that they had to study but they were also disadvantaged by the short time that they had to do their research. The presentation of the group used two powerful images, one of a dancing Garba Girl in her traditional dress of Gagra and Choli with a Dupatta and the other with a map of the region that was overlapped with some of the key industries and infrastructure that contributed to the food economy of the region. This model was particularly expressive and the team was able to use the images to good effect in making their presentation memorable. The various parts of the dancing girl were used to categorise their findings about the food habits of the Gujarati and also about the various food types that the region had to offer. They explained their findings with a great deal of conviction about the organization of the food types and then went on to map out the areas of opportunity for the Gujarat region in the whole spectrum of Food related economy that includes the dairy industry, the fishery industry and the vegetarian snack food industry which uses the specific advantages of the Gujarat geography, culture and location as well as the entrepreneurship of their people.

The Gujarat team presentation was particularly rich since they were able to transform the class understanding of the use of personas in the capture of insights from the field. They met up with several well chosen individuals who were modeled in the form of personas and the story of these individuals helped capture the abstract information in the form of real and tangible insights that were informed by a particular context in which each of them were situated. So Induben, Amit Patel, Nilesh, Bhavana and Tasneen each offered a rare but coherent insight that the team was able to bring back to support the arguments that the team had to offer during their show and tell session in the class. The Amul Girl featured in their model just as the SEZ that is now the talk of the town in Gandhinagar and Ahmedabad and the Gujarati thali and the Farsans or fast food of Gujarat all had their place in the map that the group had on offer, a rich and visually stimulating insight indeed.